MAXFIELD PARRISH VENETIAN LAMPLIGHTERS 1922, oil on panel 28 3/4″ X 18 3/4″, initialed lower right M.P. General Electric Mazda Lamps calendar illustration, 1924 LUD #683 MORNING 1922, oil on panel 19 5/8″ x 15″, initialed lower right M.P. Life Magazine, April 6, 1922 Easter cover House of Art print, 1922 LUD# 672 MY DUTY … Read More
COLES PHILLIPS MODEL 20 HUDSON MOTOR CAR c. 1909, oil on canvas 18 1/8″ x 25 1/8″, signed lower left Gouache on board 16″ x 33 1/2″, signed lower right Possible Hudson Motor Car advertisement DIARY OF A MERE MAN 1913, Gouache on Paper 32″ x 22″, signed lower left Oneida Community Silver advertisement Saturday … Read More
NORMAN PRICE PIRATE HOLDING UP SHIP CREW IN CABIN 1929, oil on canvas 18 1/8″ x 25 1/8″, signed lower left The Sea Rogue’s Moon, by Robert W. Chambers, opp. pg. 14, 1929 MARY REED (TWO PEOPLE WITH SWORDS) 1929, tempera on board 20 1/2″ x 30″, signed lower left ‘The Sea Rogue’s Moon, Part … Read More
HOWARD PYLE COMFORTING WORDS 1908, oil on canvas 25″ x 18″, signed lower right Tales of Pirates and Buccaneers, by: Howard Pyle, 1908, pg. 75 “Marjorie Mayloe would sit quite still, permitting Barnaby True to gaze into her eyes MAROONED 1887, oil on board 16″ x 23”, signed lower right “Buccaneers and Marooners of the … Read More
NORMAN ROCKWELL YOUNG VALEDICTORIAN 1922, oil on canvas 30″ x 26″, signed lower right WILLIE GILLIS – CAT’S CRADLE 1943, oil on canvas 30″ x 29″, signed lower right Saturday Evening Post, June 26, 1943 cover LNM#C404 SHUFFLETON’S BARBERSHOP – STUDY 1950, oil on canvas 33″ x 31″, unsigned Saturday Evening Post, April 29, 1950 … Read More
JOHN ROGERS FAUST AND MARGUERITE: LEAVING THE GARDEN 1891, plaster Height: 24 1/2″, Base: 20 1/2″ x 12″ Patented in 1891 CHECKERS UP AT THE FARM 1875, plaster Height: 20″ / Base” 17″ x 12 1/2″ Patented in 1875 COMING TO THE PARSONS 1870, plaster Height: 22″ / Base: 16 1/2″ x 9 1/2″ The … Read More